Staff
photo/Ian Gleadle
The European-style chapel at Bastyr University
has become the ideal recording studio for Hollywood
movie soundtracks.
You might not expect to find post civil
war cowboys inside a chapel in Kenmore.
But there they were, plodding haggardly
along a snowy mountain trail. As they do,
a crescendo of hauntingly sublime music
drifts along with them. The images of cowboys
projected on a screen transcends to a celestial
experience when the rich sound of oboes
and flutes joins in.
Suddenly the orchestra stops. The screen
goes blank. The conductor calls out. “Woodwinds!
Strings! Should we come off on the second
beat?”
The composer in the sound room converses
with the conductor via TV screen. It’s
agreed. They’ll do it over. Quiet,
please. Then everything happens just as
before. The screen light ups, the snowy
scene begins, the orchestra breaks into
a melodious sound. The composer and conductor
carefully calibrate each musical note to
the images on the screen.
This soundtrack production for the upcoming
movie “Seraphim Falls” took
place this month at Bastyr University’s
chapel in Kenmore. The 140-foot-long chapel
has become the ideal recording studio for
Hollywood movie soundtracks.
“Acoustically, the chapel stands
out,” explained Pamela Vaughn, Bastyr’s
director of extended education and conferences. “The
chapel’s overall architectural structure
lends itself to being the perfect place
for recording music. The high ceiling allows
reverberation as the music moves around,
up and down, back and forth. And the ceiling’s
wooden crossbeams add absorption. The microphones
are located in the spot that’s called
the ‘sweet sound,’ which is
16 feet in the air. It’s all very
strategic.”
“Seraphim Falls,” a Hollywood
western starring Pierce Brosnan and Liam
Neeson, will be released sometime in the
future. But it’s not the only production
company that found its way to Bastyr. Scary
Movie 4; Lucky Number Slevin; Akeelah and
the Bee; Wedding Crashers; Bee Season;
and Brokeback Mountain (which won an Oscar
for best original film score) are among
many movie soundtracks recorded at the
chapel. “And Dave Matthews did his
album ‘Some Devil’ here,” Vaughn
added, noting the university also sponsors
concerts in the chapel around the holidays. “We
have an annual Celtic concert the first
Saturday of December with Irish dancers
and fiddlers. It packs the chapel and proceeds
go to student scholarships.”
The European-style chapel features awe-inspiring
aspects other than acoustic magnificence. “Its
European artwork and craftsmanship were
all done by hand,” Vaughn noted.
Harry Clarke Studios of Dublin, Ireland
created the 36 handcrafted stained glass
windows that line the chapel’s walls.
They alone hold a reverence of glory. Intricate
designs of ruby red, cobalt blue, emerald
green, mauve and deep purple shimmer in
kaleidoscopic colors of brilliant light.
“When the stained glass windows
were made in the 50s, they painted on top
of the stained glass and fired it,” said
Vaughn. “It’s art on glass.
It’s very unique and beautiful.”
The beauty of the stained glass in combination
with terrazzo floors, oak paneled walls,
French Rouge Antique marble columns and
the 65-foot long mosaic panel depicting “Stations
of the Cross” reveal a sense of God
throughout the sanctuary. The huge copper-sheathed
entrance doors hint that something sacred
lies beyond.
Built in 1958, the chapel originally served
as the core of the Seminary of St. Thomas,
a college where men prepared for the priesthood. “That’s
why the chapel is so ornate, because it’s
where the men were ordained as priests,” Vaughn
explained. “Thomas Connolly, archbishop
of Seattle, commissioned the chapel’s
design. He wanted it to be an Italian Renaissance
replica of the chapel in Rome where he
said his first mass. Archbishop Connolly
built tons of schools and churches during
his reign.”
By the 1970s men were feeling less inclined
to enter the priesthood. With enrollment
dwindling, the seminary closed in 1978.
The campus served as a conference center
and drug and alcohol rehab center until
1996. That year, Bastyr University moved
to the property and purchased the land
and buildings from the Seattle Catholic
Archdiocese in 2005.
The public is welcome to visit. “Although
the university is private property, the
chapel and herb garden are open to the
public when not in use.” Vaughn said.
For further information, go to www.bastyr.edu.
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