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Beer, It's my opinion - July 11, 2011

  • Written by Toren Heald, Broker, Wedgewood Realty & Beer Lover
This past week I was invited to a release of the "Blueline Series" beer from Redhook. First question asked is "What is a Blueline?" Blueline was a Seattle streetcar line that use to run to Redhook’s former location in Ballard and the Trolleyman Pub. Redhook coined the name Blueline in conjunction with their limited release beers.

On Tuesday the 21st of June at this media event Redhook was featuring the first of their Blueline Series Dunkelweizen which simply translated means dark wheat. The Blueline is only going to have four or five of these beer offerings thought the year in celebration of their 30th anniversary. Keep your eye on this paper for more articles about the upcoming Blueline beers.

Redhook propaganda describes it by saying that the Dunkelweizen is "dark wheat ale with complex style, sporting a dark amber color and features traditional yeast characteristics of banana and clove. It offers roasted malt notes that add a rich complexity to this Teutonic-inspired brew." I heard blah, blah, blah. It is delicious and that’s what counts. Pour me another pint is all that is on my mind. Long and the short; if you typically like wheat beers, there is a good chance you will love this one. This beer explodes flavor all over your taste buds. Redhook does encourage the use of their product for culinary purpose, so I think I will marinate a rib eye steak in Dunkel overnight, salt and pepper to taste and grill it tomorrow. Bet it will be delicious. Note to Redhook: Don’t be mad that I thought of this first. You can use my recipe in the Forecaster’s Pub. Prost!

Redhook’s 30th birthday party tickets now on sale

  • Written by Woodinville Weekly Staff

DEVO to headline this celebration of the ’80s

Join Redhook Brewery (14300 N.E. 145th Street, Woodinville) for their 30th birthday and party like it’s 1981. The monumental birthday, held Sept. 17, will be headlined by ‘80s rock band Devo and opening acts: The Psychedelic Furs and Tom Tom Club, with special guest, Mitten. The event is expected to attract thousands of craft beer and music lovers from across the Pacific Northwest. Gates open at 3 p.m. and music begins at 4:30 p.m.

In addition to live music, the birthday celebration will offer food and Redhook beer including a special beer being released just for the occasion. Tickets for Redhook’s 30th birthday are now on sale and are $30 when purchased in advance, $40 at the door. The party will be open to adults 21 years of age and older. Tickets are available at at Redhook Brewery and www.redhook.com.

Night & Day at Cottage Lake Park

  • Written by Karin Hopper

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Night & Day will perform July 14 at Cottage Lake Park. Courtesy photo.
Night & Day will play great dance tunes at the "Music in the Park" concert series at Cottage Lake Park Upper Bear Creek Community Council (UBCCC) "Music in the Park" concert series Thursday evening, July 14, at 7 p.m.

Night & Day brings together the rhythmic talents of pianist Barbara Liggett, guitarist Kimball Conant, and percussionist Julio Palomino to create smokin’ arrangements of the great dance tunes from the ’30s to the ’50s.

Barb is a music educator, plays stride piano and has played professionally all of her life. Julio has been playing and teaching classical piano, theory, and percussion for over 20 years. Guitarist/vocalist Kimball Conant, a veteran of the Seattle music scene for over 20 years, teams up with Barb and Julio to cover a wide variety of irresistible musical styles.

Bring a picnic supper to enjoy with the concert. For more information, call (425) 788-3841 or www.upperbearcreek.com.

BAM showcases extraordinary collection of contemporary Latin American jewelry

  • Written by Deborah Stone
 "Think Twice: New Latin American Jewelry," is the largest comprehensive overview of contemporary Latin American jewelry to come to the U.S. and Bellevue Arts Museum is the only Northwest venue to showcase this extraordinary collection.

The exhibition features over 130 works by over 90 artists from 25 countries and offers a glimpse into the history of jewelry making in Latin America with an emphasis on the past 10 years.

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Ring by Claudia Cucchi of Brazil. Photo by Karl van Velzen
Among the many artists whose work is on display include Mirla Fernandes, Dionea Rocha Watt and Claudia Cucchi from Brazil; Valentina Rosenthal and Walka Studio from Chile; Elisa Gulminelli, Francisca Kweitel and Silvina Romero from Argentina; Jorge Manilla, Martacarmela Soto and Eduardo Graue from Mexico; and Miguel Luciano from Puerto Rico. The work of this new generation of artists is varied in scope and explores the relationship Latin Americans have always had to jewelry, while observing it outside its conventional frame.

The exhibit focuses on three themes: addressing the region’s past through work completed in the last half of the previous century, investigating the fusion of ethnic influences in the area, and delving into the continent’s ever-changing socio-political issues.

Artists such as Enrique Ledezma (Mexico) and Caio Mourau (Brazil) exemplify the work created between the 1940s and 1990s, which helped to shape the path of contemporary jewelry in Latin America and served as inspiration to later generations of jewelry artists.

The oldest piece on display is "Croissant" (1940), a silver necklace with a large rosewood pendant by William Spratling, a North American architect who is credited with reviving the ancient silver craft in the Mexican mining town of Taxco.

His work inspired generations of Mexican jewelers to create jewelry in non-European forms with a well-defined national identity. In contrast are the more contemporary pieces such as "Collar para el Coleccionista" (2009) by Costa Rican artist Julieta Odio.

This fascinating necklace, made of silver, glass vials and plastic, was created to hold small mementos and "evolves" as the wearer fills the tiny bottles with objects and changes their contents over time.

For this exhibit, the artist has filled one of the vials with a tiny colored bean. Other artists explore the use of non-traditional indigenous materials in their work.

In "Roots" (2010), Mexican born artist Martacarmela Sotelo employs discs of nopal, a cactus fiber, to create an eye-catching neckpiece. The discs represent the 32 different states of Mexico, linked together by its people.

In "Guacamayas" (2010), Colombian artist Linda Sanchez weaves para grass into her neckpiece with stunning results.

Sanchez works in collaboration with the U’wa, one of the most remote pre-Columbian tribes in Latin American, to preserve their ancient techniques. Interesting found objects are also incorporated into various pieces of jewelry.

In "Olvides de la Revolución" (2008), artist Alcides Fortes of Cape Verde and Mexico integrates porcelain and copper portrait medallions into his silver necklace.

The medallions were discarded tombstone memorials for a family assassinated during the Mexican Revolution. A number of the pieces have religious significance, such as "Altar Itinerante," (2007), a mobile shrine by Maria Paula Amezcua that has a protective shield of winged hearts – the symbol of San Miguel Arcangel.

Mexicans are said to have much faith in the field commander of the "Army of God," which serves as the official face of the Catholic Church.

Carefully concealed on the back of the piece, however, are a variety of images and symbols referencing the hidden pagan beliefs advocated by these people. Politics also play a role in the work of many of the artists in this exhibit.

Carlos Martiel’s "Fuego" (2008) and "Fuego Peludo" (2008) are two body ornaments that allude to Cuba’s violent history. The former simulates a gun and the latter is an actual spent gun shell recovered from the Bahia de Cochinos area with human hair as a replacement for the gunpowder.

Colombian artist Nuria Carulla’s necklace "Sentados" (1978) contains a silver straight chair, representing the chairs that political prisoners in Colombia were tied to – often for hundreds of days – while in captivity. Several artists bring the notion of memory into their pieces.

Dionea Rocha Watt, for example, takes ordinary objects and materials and gives them a new focus. In "Protection" (2008), she references memorial jewelry and love tokens of past ages which often contained a lock of hair. Here, however, the locket is contained in a nest of hair.

Romina Fuentes deals with the notion of home and the shapes of her textile and iron-made necklaces are reminiscent of hearts as organs, representing the "portable" hearth of a home. Incorporated in the pieces are objects that have personal meaning to her (a T-shirt belonging to her brother, a bit of a cushion from her mother’s house, ink that is used to keep in touch with people who are far away) and which convey her sense of home.

The work on display in "Think Twice" aptly illustrates the variance in scope within Latin American jewelry today. It is an engaging exhibit that draws attention to the unique ways in which visual artists and jewelry makers in Latin America view and relate to this diverse region of the world through their work.

"Think Twice: New Latin American Jewelry" runs through October 16 at Bellevue Arts Museum. For information: (425) 519-0770 or www.bellevuearts.org.

 

 

Winemaker Olympic Festival to be held July 27 at Redhook Brewery

  • Written by Woodinville Weekly Staff

Replacing the Woodinville Winemakers’ Triathlon, the Winemaker Olympic Festival will be held Wednesday, July 27, from 5 p.m. to 9 p.m. at the Redhook Brewery grounds in Woodinville. Featured at the festival will be the competitive and entertaining "Winemaker Olympic Games" performed by your favorite winemakers. The festival will also feature community crafted wine and beer, local restaurants, mobile food cards, live music, festival sports and gaming activities. Mix and mingle directly with the winemakers and brew-masters at this four-hour festival held on the lush grounds of The Redhook Brewery.

The mission of the Winemaker Olympics & Festival of Washington is to bring Washington’s artisans together with a community of enthusiasts of their crafts, all while raising awareness and funds to benefit HEARTBEAT Serving Wounded Warriors whose mission is to provide emergency assistance, morale- building, and innovative therapeutic services for wounded warriors and their families.

The Winemaker Olympic Games will put teams of winemakers competing against each other in such events as the Barrel Roll (winemaker inside), Bung Pass, Cork Toss and Fill the Bottle. The public is encouraged to join in on the fun with additional games such as wine bottle ring toss, trivia and more.

Admission tickets are $49 and are on sale via the website http://www.winemakerfest.com.